The AiOP 2016 festival, RACE, is less than a week away! This year’s festival is co- curated by Elissa Blount-Moorhead, Rylee Eterginoso, Tumelo Mosaka and Ikechukwu Onyewuenyi, and features over 3o artists. Below is a list of all the participating artists, the names and descriptions of their projects, and days, times, and locations of where they can be found on 14th Street. This year’s festival also couldn’t have been accomplished without the hard work and dedication of our Curatorial Manager, Malena Amaranta Negrao, and Curatorial Assistant, Tasha Douge.
Ori Alon
Bio:
Ori Alon is the Director and Founder of the Center for Supportive Bureaucracy (Empowering Clerks Network). He lives in Beacon NY with Ana and their three children. Besides developing and issuing playful paperwork, he writes a comics series with postage stamps, short stories, and the “Magic Bagel” interactive children book series.
Project Title: Center for Supportive Bureaucracy (Empowering Clerks Network)
Project Description: CSB offers a variety of services; Forgiver’s Licenses, Joy Permits, Open Carry permits for musical instruments, Racism Release Forms, Refurbished Report Cards, Apology Declarations, OK Parent Award, Village Fool Diploma, Certificates of Recognition, Pain Deeds, Adults Special Achievement Stickers and more. ECN Director Ori Alon walks around 14th Street, offering his services as an Empowering Clerk, as he recently did during the RNC and DNC. Office hours might exceed festival hours. To find Ori’s exact location please text 917-533-4703.
Website – www.supportivebureaucracy.org October 7-9 The Center for Supportive Bureaucracy will be on the move! Ori Alon is traversing the length of 14th Street offering his services Saturday, October 8 from 1-4pm he can be found specifically on the south side between Sixth and Eighth Avenue of 14th Street Sunday, October 9 from 1-4pm, he can be found on the south side between First and Third Avenue Alexandra Antoine
Bio:
Alexandra Antoine is a multidisciplinary artist. Her projects question the validity of race as a realistic concept and the ways in which it has fashioned our perceptions of each other and ourselves. She holds a BFA in Printmedia and Art Education from the School of the Art Institute of Chicago.
Project Title: I Am A Hueman
Project Description:
This project examines the humanity of people of color by celebrating different aspects of their hue through short descriptions placed on skin-colored cards. The card and the person’s photo are documented and shared on social media in real time. This interactive installation allows viewers the opportunity to share information about their hue, history, and heritage through guided prompts. Viewers can also take stickers with them to put up around the city.
Date: October 6 – 9
Location/Schedule:
14th Street and Third Avenue, across the street from the Duane Reade
The Big Head Brigade
Bio:
Led by founder and director Megan Marlatt, The Big Head Brigade is an artist collective that makes, exhibits, and performs in papier-mache “big heads”. The group has participated in exhibitions, performances, and arts events across the world, including Zurich, Prague, and New York City. They are based in Virginia.
Project Title: 2 Race and 3 Races
Project Description/Times:
October 7-9
1) The 3-Headed, Multiracial, Cargo Pocket Creature
Big Head Asian Megan, Big Head African Megan and Big Head Blue-eyed Blonde Megan will walk together down 14th Street, greeting the public in unity, living in cooperation, bonded together by their three-headed dress.
Location/Schedule:
Friday, October 7 from 10-11 am, around Union Square
Saturday, October 8 from 10 – 11am on 14th Street between Sixth and Eighth Avenue
2) The Tortoise and The Hair
The quintessential RACE is Aesop’s tale, “The Tortoise and the Hare” however, the Big Head Brigade’s race is between the tortoise and the “hair” as Big Head Hare “Thump” will compete with the “Hillatortoise.”
Location/Schedule:
Friday, October 7 from 2-3pm, around Union Square
Saturday, October 8 from 2-3pm, on 14th Street between Sixth and Eighth Avenue
Sunday, October 9 from 2-3pm, on 14th Street between First and Third Avenue
Emily Chow Bluck & Jennifer Harley
Bio:
Emily Chow Bluck is a socially-engaged artist whose praxis synthesizes polyvocal installations of subaltern value and self-determined futures. Jennifer Harley is a sculptor whose multimedia practice grows from her interests in material histories, body, intimacy, and the precarity of borders, boundaries, and materiality. Horizon Line is Bluck’s and Harley’s first collaborative work.
Project Title: Horizon Line
Project Description:
This public intervention combines performance and installation to investigate social geographic boundaries both physical and perceived, as well as the liminal space in between. Officially deemed unconstitutional, redlining was a pernicious policy that has had lasting implications on current discriminatory trends in urban neighborhood developments. Using the history of redlining in New York City as a point of departure, Horizon Line acts as a visual illustration of the policy’s physical presence while creating spaces for passersby to connect and contribute their experiences to a social biography of the city’s shifting landscape.
Date/Schedule: October 6 – 9
Location/Schedule: Across 14th Street, during Critical Mass. Drawing on 14th Street between Sixth and Ninth Avenues (West Village) and 14th Street at the Third Avenue intersection (East Village)
Joseph Buckley
Bio:
Joseph Buckley was born in 1990 in the UK. Recent solo shows include “Days of Madness & of Learning” at Public Exhibitions, UK; “The Demon of Regret” at International Studio & Curatorial Program, USA. Recent group exhibitions include “Most Loathed” in Los Angeles; “A Small Group Show of American and British Artists” at Space Space Gallery, Japan.
Project Title: Mathias Clone Windows
Project Description:
Digitally printed vinyl are applied to storefront windows, obscuring the entirety of the glass. The composition features photographs, commissioned illustrations, heraldically derived geometric designs, as well as several recurring infrahuman character-types from the artist’s practice (orcs, clones, pigs, etc).
Website: http://www.jbxviii.co.uk/
Date: October 6
Location/Schedule: TBD – See the artist’s page on the AiOP: RACE website for location information
chukwumaa
Born in Lagos, Nigeria and raised just outside of DC, chukwumaa makes work concerning liminal characters, trickster myths, and non-linear narratives. His work takes the form of found/soft sculptures, surreal performances, and other media experiments. chukwumaa has exhibited and performed at The Corcoran, Various Small Fires, and The Kitchen.
Project Title: Signal Drop
Project Description:
The artist generates a drawing of the drop-outs of a Bluetooth signal between his phone and a portable speaker by carrying them around the street and listening for interruptions in the sound. Each mark points back towards the origin of the signal (wherever the phone is placed) so the marked areas are clustered where the signal most frequently drops out.
Date: October 6-9
Location/Schedule: Performance will take place on Thursday, October 6 from 6-8 pm at East 14th Street between Fourth Avenue & Broadway. Installation will be visible throughout the festival.
The Czechoslovak-American Marionette Theatre
Bio:
Founder and Artistic Director of The Czechoslovak-American Marionette Theatre, Vít Hořejš is dedicated to the preservation and presentation of traditional and not-so-traditional puppet theatre. The company performs at La MaMa, Theater for the New City, and has toured to 34 states and to international festivals in Europe and Asia since its founding in 1990.
Project Title: The New World Symphony: Dvořák in America, Phase 2
“The New World Symphony: Dvorák in America,” written and directed by Vit Horejs, performed by Czechoslovak-American Marionette Theatre, La Mama Theatre March 8, 2016. L-R: Michelle Beshaw, Vit Horejs, Deborah Beshaw-Farrell, Valois Mickins, Ben Watts (as Dvorak), Theresa Linnihan. Photo by Remy.S .
Project Description:
“The New World Symphony: Dvořák in America, Phase 2” culminates the Czechoslovak-American Marionette Theatre’s recent exploration of the creative adventures of the great composer and pedagogue Antonín Dvořák. As a visiting artist in New York City for three years (1892-1895) the composer of The New World Symphony was based and lived on East 17th Street. Dvořák reveled in the New World’s dynamic growth, technological innovation, and especially African-American and Native-American music and culture, which he declared would give rise to a truly new American music.
Website: www.czechmarionettes.org
Date: October 8 – 9
Location/Schedule:
There are 5 stops and an additional constantly moving performance from the Hudson River to Stuyvesant Park. Performers are following and sometimes ride a set piece de resistance–a ladder on casters. Saturday & Sunday, October 8-9
2:00-2:20 pm at the west end of 14th Street by the Hudson River.
2:25-2:40 pm High Line North of 14th Street
2:40-3:30 pm moving along 14th Street from Tenth Avenue to Irving Place
3:30-3:40 pm in front of Music Academy (Con Edison Headquarters) at Irving Place
3:45-4:00 pm in front of the former National Conservatory of Music of America at 17th Street & Irving Place
4:20-4:35 pm in front of Antonin Dvorak’s statue in the North-East Corner of Stuyvesant Park 17th Street.
Gearóid Dolan AKA screaMachine
Bio:
Gearóid Dolan is an Irish artist working in New York. Since 1987, Dolan has been working on an ever-evolving project titled screaMachine, realized in the form of installations, performances, audio and video works, films, digital media art, and more. screaMachine works are experimental, and push the boundaries of new media, experiential, and time-based art.
Project Title: Protest
Project Description:
A roving video projection rig wanders up and down 14th Street each night after dark. Stopping at empty lots and buildings to project a semi-animated video work, Protest, 2014 featuring scenes from protests about the police killing of Eric Garner and the beginning of the Black Lives Matter movement in NYC. This is the 13th in a series depicting protest in NYC which started in 2003. These works aim to return these images to the streets.
Date: October 6- 9
Location/Schedule:
This is an ad hoc performative piece taking place each night of the festival. The artist can be found wherever 14th streets allows, hoping to cover all of 14th Street over the course of the festival.
Nicky Enright
Bio:
Nicky Enright’s multimedia art has been exhibited internationally. He has also been an inaugural Fellow at A Blade of Grass Foundation and an apexart Global Fellow. He holds a BFA from The Cooper Union and an MFA from Hunter College. Born in Guayaquil, Ecuador, he is based in the Bronx, NY.
Project Title: Sense Us Census
Project Description:
The Sense Us Census is an intervention based on the ethnic and racial questions from the last official census of 2010. The artist takes a survey along one of the most diverse streets in the world, sparking conversations about America’s obsession with racial classification. He offers pedestrians the opportunity to select exactly how they wish to be identified, a choice the US Census has only offered since the year 2000. In this moment, participants pinpoint their sense of themselves, questioning the questions and thinking outside the little boxes.
Website: http://www.lightbolt.net/misc/sense_us_census_2016.html
Date: October 8-9
Location/Schedule:
Saturday, October 8 from 12-6pm: Walking between Union Square Park and Ninth Avenue
Sunday, October 9 from 12-6pm: Walking between Alphabet City and Union Square Park
Ja’Tovia Gary
Bio:
Ja’Tovia Gary is a Brooklyn-based artist and filmmaker. She earned her MFA in Filmmaking from the School of Visual Arts. Her work has screened at festivals and institutions worldwide including Edinburgh International Film Festival, Atlanta Film Festival, Ann Arbor Film Festival, the Schomburg Center, NYU Florence, and Indiana University Cinema.
Project Title: AN ECSTATIC EXPERIENCE
Project Description:
A cinematic meditation on the concept of transcendence as a means for radical resistance and restoration. Employing montage editing techniques to weave together sound, analogue animation, and archival footage, the film is both an invocation and an explosive call to action.
Website: http://www.jatovia.com/an-ecstatic-experience/
October 6 – 7
Performances will take place on Thursday, October 6 and Friday, October 7 after dusk.
Breaking White Silence
Bio:
Brookyn artivists Jen Abrams, Sara Roer, Amanda Murray, Emma Grace Skove-Epes, Hyatt Bailey, Gus Gauntlett, Micky Shorr, and Sarah Kaplan-Gould lead this action, with artwork by Suzanne Broughel. The group comes from all walks of the art world; individual bios can be found at www.BreakingWhiteSilence.org.
Project Title: Breaking White Silence
Project Description:
Breaking White Silence is an artivist action and a collective of white anti-racist artists. The artists place themselves in public space and invite passersby to talk about what it means to be white, and how white culture can serve to uphold structural racism – often without one’s knowledge or consent.
Website: www.BreakingWhiteSilence.org
October 6
Location/Schedule:
On 14th Street between 3rd Avenue and Irving (North Side of 14th street in front of Raymond Flanigan furniture store)
Thursday, October 6 from 6-8pm
Katya Grokhovsky & Luis Mejico
Bio:
Katya Grokhovsky is an interdisciplinary artist working with installation, sculpture, performance, video, and painting. Her work explores issues of gender, labor and the self. Luis Mejico is an interdisciplinary artist who integrates structures of social relationships into parameters of xis multimedia performances. Xis analyzes human bonds by enacting their characteristics.
Project Title: Let’s Talk About Race
Project Description:
This collaborative, participatory performance installation aims to engage the passersby in an intimate dialogue and exchange about race and racial politics. By asking difficult questions and facilitating a temporary safe space in an urban environment, the project explores issues of discomfort and tension around ideas of race and diversity, while actively involving the city’s population.
Project website: http://letztalkaboutrace.tumblr.com/
Date: October 6 – 9
Location/Schedule:
Thursday, October 6 from 3-6 pm on 14th Street and Avenue A
Friday, October 7 from 2-5 pm on 14th Street between Second and Third Avenues
Saturday, October 8 from 1-2 pm Critical Mass – 14th Street between Sixth and Eighth Avenues and 2-5pm in Union Square
Sunday, October 9 from 1-2pm Critical Mass – 14th Street between First and Third Avenues and 2-5 pm on 14th Street and Ninth Avenue
Nola Hanson
Bio:
Nola Hanson is an artist living and working in Brooklyn, New York. Their transdisciplinary practice examines identity construction in mass culture. They earned their BFA from the University of Wisconsin-Milwaukee in 2014.
Project Title: Five Shoeshines (This is not a Race)
Project Description:
In this performance the artist receives a shoeshine at five different locations along 14th street in Manhattan. The work explores aspects of identity, power, and labor through the ritual of shoe shining.
Website: www.nolahanson.com
Date: October 7
Location/Schedule:
Saturday, October 7th between 12pm-4pm
Five performances will take place as the artist traverses 14th Street from Ninth Avenue to Avenue C.
14th Street and Ninth Avenue
14th Street and Sixth Avenue
14th Street and Union Square
14th Street and Second Avenue
14th Street and Avenue C
David Hess
Bio:
David Hess refers to found materials as rescued objects. For him, they are loaded with history and cultural narrative. Hess’ interests in science, engineering, and documentary filmmaking informs his sculptures. He frequently explores a precarious balance of elements poised on the verge of movement.
Project Title: Gun Show
Project Description:
Three years ago, amid daily headlines of mass shootings and gun violence, the artist began building an arsenal of 100 mock assault rifles, using only household and industrial detritus. The “guns” are displayed on canvas tarps on the ground, allowing people to interact with them and reflect on the polarizing conversation surrounding gun ownership in our country. This is an unconventional examination of the American obsession with deadly weapons, as the country attempts to untangle the contentious debate over the lethality of its possession of over 310 million guns.
Project Website: hessgunshow.com
Date: October 7-9
Location/Schedule:
Each performance date will be from 1-6pm, on 14th Street between Seventh and Eighth Avenues
Nate Hill
Bio:
Hill makes socially engaged work using public spaces, both online and offline. Opting mainly to present work outside of the traditional art-world context, he engages with what he describes as the “non-gallery-going” population. Some of Hill’s most well-known works are Death Bear, White Power Milk, and Trophy Scarves.
Project Title: Fishin’ in the Dark
Project Description:
The artist runs with a
mechanical fish from the East River to the Hudson with a stop at Whole
Foods.
Schedule, Location, Details:
“I’m going to run my mechanical fish from the East River to the
Hudson. I don’t really know why yet. It’s just something I need to do.
In between, at the Whole Foods fresh fish counter, I will act as a
medium between my mechanical fish and the dead fish. They will hum
quietly to each other. After that, I must get my mechanical fish to
the Hudson River before it dies. You are invited to run with me.”
Union Square Wholefoods fresh fish counter meeting times:
Thursday, October 6 at 5pm and 9pm
Friday, October 7 at 9am and 9pm
Saturday, October 8 at 9am and 9pm
Sunday, October 9 at 9pm
Website: www.sociopath.online
Madison Horne
Bio:
Madison Horne graduated with a BFA in Photography from the School of Visual Arts. Themes in her work branch from an exploration of her biracial family. She works through the complexities of identity, historic events, genealogical research, social issues, and personal accounts.
Project Title: Pharaoh
Project Description:
This installation serves as a memorial space for African-American slaves. A collection of light boxes is filled with images paying respect specifically to the artist’s family who were enslaved in Edgefield County, South Carolina. The photographs insert family members into old historic pictures of slaves living in South Carolina, also including images of where the artist’s ancestors were enslaved on what used to be a small cotton farm. Prayer cards are included at the site to engage the public in honoring those who survived the suffering, and empower those who continue to fight the fight of racial inequality.
Date: October 9
Location/Schedule:
Sunday, October 9 from 2-6pm, at 14th Street and Ninth Avenue.
Walis Johnson, Murray Cox & Aimee vonBokel
Bio:
Walis Johnson, has a MFA from Hunter College, working at the intersection of social policy, documentary and performance. Collaborators, Murray Cox is a media activist who uses digital technology for social change; Aimee vonBokel is a visiting Fellow at Rice University, researching redlining and wealth accumulation.
Project Title: Red Line Archive
Project Description:
Can an artist intervention translate contested spacial and racial narratives that define the real and imagined landscape of a New York? The Red Line Archive is a mobile public art project that engages New York City residents in a conversation about race and the history of the 1938 Red Line Map that helped create the segregated urban landscapes of the city. This “cabinet of curiosities” is wheeled along city streets, inviting people to freely associate about artifacts from the artist’s family history in gentrifying Brooklyn, Loisaida and Stuyvesant Town along 14th Street from First Avenue to Avenue C.
Dates/Schedule: October 8-9
On both dates, the archive will travel along 14th Street between First Avenue and Avenue C on the north and south side of the street, lingering in front of vacant lots between Avenues B and C.
Saturday, October 8 from 2-6pm.
Sunday, October 9 from 2-6pm.
Masami Koshikawa
Bio:
Masami Koshikawa is a recent recipient of an MFA degree from the University of Central Florida. Koshikawa is a Japanese artist residing in Orlando, Florida since 2004.
Project Title: A Homeless Bride/ Marry Me in Manhattan
Project Description:
A Homeless Bride arrives from a foreign land, desperately seeking a Green Card in a race against time. For those who choose to marry her, a priest is present to perform the ceremony immediately at various locations along 14th Street.
Project Website: http://www.masamikoshikawa.com/index.php/video-performance/marry-me-/
Date: October 6-9
Location Schedule:
This project will occur at various locations along 14th Street. The choice of location shall be improvised. Performances are from 12pm till dusk.
Christina Lafontaine
Bio:
Christina Lafontaine is an installation artist, fabricator, art director, and animator based out of Brooklyn. Her work most often focuses on unseen parallel worlds and her interpretive imaginings of what these other worlds might look like. Christina recently received her MFA in Design + Technology from Parsons School of Design.
Project Title: Ethereal Ecologies
Project Description:
Ethereal Ecologies is an ongoing series of otherworldly installations situated within the urban landscape, exploring the concept of parallel worlds and the overlooked micro-worlds around us. Fourteen small scale installations are embedded in mundane spaces along 14th Street. A map of the general locations of these sites is available to participants. While hunting for each installation, viewers are taken on a journey that encourages the discovery of new details about the street, neighborhoods, and city that may have previously gone unnoticed, while allowing them to encounter and engage with these absurdly plausible other worlds.
Website: christinalafontaine.com
Date: October 6-9
Location/Schedule: TBD – See the artist’s page on the AiOP: RACE website for a detailed map of locations.
Ian Nolan
Bio:
Ian Nolan is an Irish artist based in The Netherlands. Nolan primarily practices in public space. His process-led work employs a broad range of media and techniques, revealing new platforms for re-interpreting the nature of aesthetics, geopolitics, and their power structures.
Project Title: Positively 14th Street
Project Description:
Through sharing personal narratives, we share realities; creating, and often changing, the images of the world in which we live. With the aid of a specially-designed map of 14th Street, personal narratives connected with the area are available to listen to via mobile phone. Through a series of prompts, people are invited to share in the realities of an-other; changing their images of the world and reflecting on issues of race as they manifest themselves in public space.
Date: October 6 – 9
Location/Schedule:
The locations for the individual audio narratives are chosen by participants. Individual narratives range from 2 to 5 minutes in length and can be accessed at any time during the day via mobile devices.
Lee Nutbean
Bio:
Lee Nutbean is an International artist working at the transdisciplinary intersections of art and computation, across academia, research and the creative industries. His work explores the evolution of smart networked technologies through the participatory design of provocative prototypes that elicit, process and respond to inspirational data. These electronic ecologies culturally probe the dynamic networks within and between corporeal and viral spaces, to reveal new phenomena that confront, question and push new digital practices.
Project Title: Race*
Project Description:
Race* is an LED window installation that provocatively searches online social media conversations for the word “race” (human categorization). If found the LED sign is switched on and the word Race* is illuminated. Enlightening arguments in favor of racial naturalism—the view that races have either natural essences, or some set of observable natural properties that are shared by all or most members of that race. If the online search reveals the term race has been replaced or is no longer found in social discussion, the sign is switched off. Promoting racial eliminativist recommendations to discard the term and concept of race altogether.
Date: October 6 – 9
Location/Schedule: Throughout the festival, from 1 O am- 6 pm at 14th Street Framing Gallery, 225 West 14th Street.
Eric Olson
Bio:
Eric Olson focuses on engaging conversations about scientific and mathematical ideas. Permanent works incorporate stone, steel, copper, and wood, with ephemeral works using moss, water, and ice. Completed works can found at rbuckminster.weebly.com. Follow @rbuckminster on Twitter.
Project Title: Imagine
Project Description:
Imagine focuses on bringing about conversations of social injustices through serious consideration of the ridiculous question, “How many bubbles in a bar of soap?” which was asked during the Jim Crow Era to prevent minorities from voting. Two black and white “i” figures, with a “shimmering rainbow bubble mirror” suspended between them, evoke consideration of the concept of self and race. As the wind ripples across its reflection, a giant bubble forms that floats away, like a captured thought. The experience draws together the chemistry and physics of soap bubbles, with critical thinking about America’s history of racial injustice.
Date: October 8-9
Location/Schedule:
A mobile platform is moved up and down 14th Street, concentrating on Union and Jackson Square Parks. From noon to dusk, throughout the festival. The artist is distributing a brochure and inviting interested people to interact directly with the project.
Sheryl Oring
Bio:
Sheryl Oring has typed thousands of postcards to the President from locations across the U.S. since launching her “I Wish to Say” project in 2004. Her book, Activating Democracy: The I Wish to Say Project, will be published by Intellect Books in Fall 2016.
Project Title: Activating Democracy: The I Wish to Say Project
Project Description:
In previously staged performances, the artist invited the public to dictate postcards to the presidential candidate of their choice. For Art in Odd Places, Oring works with students from Monmouth University and others to create a public protest incorporating messages from these postcards. Several dozen students join the artist in a procession around Union Square. Participants are invited to carry handmade signs that share their demands for the next president.
Web link:
http://www.sheryloring.org/i-wish-to-say/
Date: October 8
Location/Schedule:
The procession begins at Jackson Square and moves down to 14th Street to Third Avenue.
Saturday, October 8th from 4-6pm
Dominique Paul
Bio:
Dominique Paul performs using wearable structures which visually project data on themes of social inequality and environmental issues. She is represented by Miyako Yoshinaga Gallery in New York where she will have a solo in 2017. She has obtained an MFA from UNSW in Australia and a Ph.D. from UQAM in Canada.
Project Title: Interactive Median Income Dress Acting As a Social Interface
Project Description:
The artist wears an interactive structure that displays the median household income as she walks along 14th Street using census bureau data. The dress acts as a social interface to trigger discussion about gentrification. For AiOP: RACE she will also display median income of black households and of families with a woman as the head. Translating the data visually brings awareness to the physical space. Eight income brackets ranging from $0 to $200,000 + are represented in proportion by colored lights in the dress: red as the lowest, and blue as the highest income. Dominique Paul wishes to thank the Conseil des arts de Longueuil and Université du Québec à Chicoutimi for their financial support and Patrice Coulombe, programmer.
Website: www.dominiquepaul.net
Map inspiring the project: project.wnyc.org/median-income-nation/?#13/40.7329/-73.9791
The project: https://vimeo.com/159117697
Date: October 6-9
Thursday and Sunday: Dominique will be starting her walk at Avenue C and moving west towards Union Square beginning at 6 pm.
Friday and Saturday she will be starting at Eleventh Avenue and walking east towards Union Square beginning at 5:30 pm on Friday and 6 pm on Saturday.
She will be present during the opening on 14th between Seventh and Eighth Avenue Friday, October 7th from 6 pm.
Jaclin Paul
Bio:
Jaclin Paul is an artist researching American codes of conduct and cultural taboos surrounding phenotypes and identity construction.
Project Title: People Draw White People Survey
Project Description:
People Draw White People Survey asks members of the public to illustrate what they think a white person looks like to them. The goal is to create awareness about the perception of “whiteness” in America in 2016. The results will be published on http://www.jaclinpaul.com//people-draw-white-people.html
Date: October 7-9
Surveys are being conducted for as many hours a day that are physically possible for the artist. Location: TBD
Friday, October 7 beginning at 10 am
Sunday, October 9 beginning at 4 pm
PSU Art & Social Practice
Bio:
Talk to Everyone and Everything About Race, is a socially engaged art project that prompts participants to talk with people (bodies) and places (architectures) about race in an ongoing and meaningful way. Questions serve as frameworks for discussions among people, places, things, and ideas. Ultimately, the conversations generate a continued dialogue.
Website: www.psusocialpractice.org
Project Title: Talk to Everyone and Everything About Race
Project Description:
Talk to Everyone and Everything About Race, is a socially engaged portable art project that prompts participants to talk with people (bodies) and places (architectures) about race in an ongoing and meaningful way. The prompts serve as frameworks for discussions among people, places, things, and ideas. Ultimately, the conversations generate a new series of questions to continue these dialogues.
Date/Schedule: October 7-8
The artists will begin engaging the public in conversations at the following locations for one hour, then will begin moving along 14th Street for the next hour.
Friday, October 7, beginning at 1pm at the Salvation Army.
Saturday, October 8, beginning at 1pm at The Highline.
Mike Richison
Bio:
Mike Richison is a professor at Monmouth University’s Department of Art and Design. He is a multimedia artist who utilizes a variety of media and approaches, and he has exhibited and performed at venues and galleries within in the US and internationally.
Project Title: Video Voto Matic
Project Description:
Video Voto Matic combines a video from the current presidential race with a drum sequencer and a vintage voting machine. This interactive exhibit lets the audience remix the footage to make beats and loops. Users punch their rhythm into a “voting booklet” that mimics the infamous punchcard-style Votomatic voting machines used during the 2000 Florida election debacle. Instead of a providing the names of candidates, the booklet is filled with sample drum patterns. Follow the patterns suggested by the booklet or make up your own.
Website: www.mikerichison.com
Date: October 7 – 9
Location/Schedule:
On 14th Street between Seventh and Eighth Avenues
Kenya (Robinson)
Bio:
Kenya (Robinson) is a socialite, mischief maker and international southerner, trying to get into grown folks’ bidness. Her work remixes narratives of power, performance, and privilege as a means of self-care. A past resident of LMCC’s WorkSpace Program, Skowhegan School of Painting & Sculpture and The Bemis Center for Contemporary Art, she is currently a Thomas Hunter Artist-In-Residence at Hunter College.
Project Title: WHITEMANINMYPOCKET(S)
Project Description:
Dave Fowler is the WHITEMANINMYPOCKET. He is white privilege – actual size. His miniature stature challenges corporate sanctioned mediocrity. Dave is from Omaha. Dave lives in a cave. But he is also a talisman. A reminder of perception and how its power can be manipulated. WHITEMANINMYPOCKET(S) is a to-scale physical materialization that asks: How is privilege colored by perception?
Kenya (Robinson) has created a virtual army of Daves that will gradually occupy the 14th street corridor. The artist encourages the talisman to be taken and their whereabouts documented using #WHITEMANINMYPOCKET. The diaspora will be chronicled on social media.
Date: October 6-9
Location/Schedule:
Viewers spotting/taking/transporting Dave Fowler should hashtag his journey and whereabouts at #WHITEMANINMYPOCKET and follow him on Instagram at pocketmandave.
Nyugen Smith & Geraldo Mercado
Bio:
Nyugen Smith is an artist and educator whose interdisciplinary practice conflates African cultural practices and the residue of European colonial rule to expose concealed narratives and distorted realities. Geraldo Mercado is a performance artist whose work, largely autobiographical, mixes extreme physicality with themes of identity, race, religion, language, and pop-culture.
Project Title: Think High
Project Description:
The artists begin a long distance run in Harlem, making stops at pre-selected sites throughout Manhattan where historically significant “race related” events have occurred. Each location is reactivated by the artists as they pause to read relevant text, make poetic responses, or recite historical documentation. When the runners reach 14th Street at the East River, they will run across 14th Street to the Hudson River performing tasks that continue to challenge their physical and psychological conditions as they engage in dialogue about RACE.
Date/Schedule: October 9
Location/Schedule:
Artists will be running from Harlem down to 14th Street, making pit stops at culturally relevant sites. Hoping to reach 14th Street between 2-3PM.
Elisabeth Smolarz
Bio:
Immigrating from Poland to Germany, Elisabeth Smolarz grew up on the cusp of two different cultures affected by a communist and democratic system. Consequently, she became involved in the idea of how consciousness and perception of the self-are formed by one’s surroundings.
Project Title: THANK YOU FOR EVERYTHING MRS. LACKS
Project Description:
This monument honors Henrietta Lacks and her famous HELA cells. Mrs. Lacks was an African-American tobacco farmer in Virginia who died in 1951 of cervical cancer. Her immortal cells were taken without her consent to help medical research in some of the most important advances in medicine: the polio vaccine, chemotherapy, cloning, gene mapping, and in vitro fertilization, just to name a few. Today, scientists have grown 20 tons of her cells, and there are almost 11,000 patents involving HeLa cells to date.
Date: October 7 – 9
Location/Schedule:
Performances will take place in Union Square Park from 12pm-4pm
Maja Spasova
Bio:
Maja Spasova is a visual artist with a research and activist approach. She locates many of her projects in urban public spaces where the fundamental conditions of life exist, creating relations and processes that connect publics. Sound is essential to this relational praxis, with performance and installation supporting these sonic excursions that are poetic and existential in reach. Spasova has taken part in various international exhibitions and festivals, including Venice Biennale and ARTEC Nagoya. www.majaspasova.com www.facebook.com/Art.MajaSpasova
Project Title: I HAD A DREAM LAST NIGHT
Project Description:
In I Had A Dream Last Night (2016), actors walk along the street and read dreams dreamt the previous night that were donated by the public. These dreams—both personal and intimate—are presented in a manner resembling the speeches at demonstrations. Equipped with megaphones, headlamps, and short aluminum ladders, the actors spontaneously choose locations along 14th Street for each nighttime reading. The content of the readings change each evening as contributed dreams arrive each day from the public.
Date: October 6 – 9
Performances will begin after sunset each night of the festival, running from 7-11pm. Across 14th Street.
Christina Stahr
Bio:
Based on the concept and technique of collage, Christina Stahr’s work combines fragments of cultural and historical significance with segments of personal meaning. Her work is inherently tactile, sensory, and experiential, though it is abstract and minimal in its overall compositional structure. Stahr lives in New York City.
Project Title: Red Tape Labyrinth; Immigration Meditation
Project Description:
Red Tape Labyrinth; Immigration Meditation is a site-specific participatory art installation and performance site that speaks to the global immigration crisis. Located near the Hudson River and visible from the Highline above, this walkable labyrinth is outlined onto the sidewalk using red tape and recalls ongoing migrations risked on foot and over water. Passersby are invited to walk through its single, spiraling path, unconstrained by the usual bureaucratic “red tape” of immigration policies and to engage with the experiences of pilgrimage and migration.
Website: www.christinastahr.com/labyrinths/
Date: October 6-9
Location:
Sidewalk on West 14th Street between the Highline and Tenth Avenue
Schedule:
Performances and “labyrinth walks” will take place from 1-4pm on each day of the festival by Christina Stahr, dancer Annemarie Hollander, and musician Tom DeMott.
Saturday, October 8, Brian O’Mahoney will perform at 1pm, and Rebecca Pristoop will perform at 4pm.
Cole Sternberg
Bio:
Cole Sternberg works across painting, installation, video, and writing, with his practice focusing on a variety of social issues, from current human rights activism and it’s relationship to the law, to the environment, to the media and concepts of content overload. He is interested in the intersection between humanity and humankind and how their lack of congruity hinders social progression and development.
Project Title: For a moment the concrete felt soft and warm
Project Description:
Sternberg creates a series of unique, hand-painted antique rugs and allows the elements of New York City—its people, architecture, and weather—to impress upon them. The resultant fraying of the carpets leaves an abstract trace of manmade and natural elements. However, it’s difficult to discern responsibility: who or what left these traces, and to what degree? This anonymity between human and nature is on par with the anonymous fabricators of these antique rugs culled from the archive of Woven Accents.
Date: TBD
Location: Salvation Army, between Sixth and Seventh Avenues
