Presenting visual and performance art in unexpected public spaces.

AiOP Website Designer + Developer Carey Estes honored at 18th Annual Webby Awards

By Matthew Morowitz

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Art in Odd Places (AiOP) is proud to announce that our very own website designer + developer, Carey Estes, was officially announced as an honoree at the 18th Annual Webby Awards for his work on the 2013 AiOP: NUMBER festival website.  The Webby Awards, presented by the International Academy of Digital Arts and Sciences (IADAS), is the leading international award honoring excellence on the internet and is hailed by the New York Times as the “Internet’s highest honor.”  This year’s awards received over 12,000 entries from over 60 countries and all 50 states; fewer than 15% of these entries were awarded this honor and deemed an Official Honoree.

Carey by day is the Multimedia Developer at the School of Visual Arts (SVA) and by night a freelance designer + developer.  Before moving to NYC, he taught design classes at Mississippi State University.  He has been a part of AiOP for about three years; according to AiOP’s founder and director Ed Woodham:

“I met Carey in 2011 at a FEAST Brooklyn. He took on the development and redesign of the Art in Odd Places site and the annual festival sites with a generous enthusiasm. Since then, he’s made his incredible design aesthetic available to each year’s festival curatorial team as they realize their vision.  Most important, he’s a brilliant collaborator. It’s inspiring to see him receive this well deserved honor!”

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Carey Estes.  Photo courtesy of Holly Senter.

Carey also shares Ed’s enthusiasm for his work with AiOP, stating:

“It has, undoubtedly been one of the most rewarding experiences of my life. It is rare that you find someone like Ed who gives me free reign with design and development of the AiOP brand. When you have that type of trusting relationship with an organization, you fall in love with it very quickly. I work freelance for other clients, and when I complete a site, I give it to them and I disconnect. However, AiOP feels like my child. I want to nurture it, protect it and watch it grow.”

He also found that the ideas and environment that AiOP supports was another factor that allowed him to develop a successful site.  Carey is keeping this, along with his recent honor, in mind while designing the website for the 2014 festival.

“Working with AiOP is wonderful, because it is a playground for design and development. The environment can be quirky and fun. AiOP is about shaking the world up, and the goal of each collateral we create is to do that in some way. With this in mind, it makes each piece a challenge to be better than before and try to push boundaries. Being a Webby honoree simply makes me want to be a nominee, and that’s what I am shooting for with the 2014 AiOP: FREE site.”

All of us here at AiOP once again congratulate Carey on this honor and look forward to seeing what he will create for this upcoming year and hopefully many more to come.

The Kite Collective: A Lookback

By Matthew Morowitz

In December of 2012, Art in Odd Places (AiOP) ran a feature on The Kite Collective, a collective of kite enthusiasts and makers.  Back then, the Collective was running playlabs in NYC, working on installing kite machines, and had organized their “Kite Relief” initiative to help those affected by Hurricane Sandy in Far Rockaway.  Recently, we were able to catch up with Whitney Richardson, one of the founding members, to see what the collective has been up to since we last spoke with them.

Chicago

Since speaking with The Kite Collective back in 2012, their operations have mostly moved from NYC to Chicago.  In their time there, the Collective has been working on new programming and events.  Plans are being made to build the Kite Machine Chicago out of an old dresser, which will then be moved around to different community farms and gardens within the city and potentially some cultural centers, as well as to Harold Washington College in the Chicago loop.  The machine itself is being constructed by Ben Newman, a woodworker and friend of the Collective, and the public should “expect peepholes, wind documentation, spontaneous assembly (of kites, performance, etc.) and items that grow to complement the build out.

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Chicago kite machine in progress.  Photo courtesy of Maureen Walrath.

Future Hits and “Flying Paper”

Last fall, The Kite Collective partnered with Future Hits; Future Hits is a fun (yet secretly educational) music group marrying literacy & harmony-making.  Kite Collective joined them for a series of events, exploring live altering of environments through art and play.  The Collective also co-hosted a screening of the documentary “Flying Paper” at the Peanut Gallery in Chicago.  This documentary, shown as part of the Chicago Palestine Film Festival, tells the uplifting story of Palestinian children in Gaza who are on a quest to break the Guinness World Record for most kites ever flown and highlighting their resilience despite the difficult realities they face in their daily lives.  Pictures from this event can be found on the Collective’s Facebook page.

Conceal + Carry

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Conceal + Carry Kites at the Concealed Carry Exhibition.  Photo courtesy of Maureen Walrath.

The Kite Collective was also involved in the Concealed Carry Exhibition that took place in Chicago at Experimental Station back in January.  On January 1st, 2014 the Carry Act passed and went in effect in the city.  As a result of this change in firearm legislation, gun owners can now carry concealed firearms in public spaces, unless explicitly and conspicuously disallowed by property owners.  Many artists, including the Kite Collective, feel this shift in public policy will have a radical impact on public spaces and in response created this exhibition to relay information about this issue.

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Concealed Carry poster.

For the exhibition, The Kite Collective issued 100 “conceal and carry” kites as part of the exhibition installation as a means of pointing out the paradox of arming individuals to create safety:

“For the installation taking place at the Experimental Station throughout the month of January, the month the legislation takes effect, the Kite Collective shall issue 100 “conceal & carry” kites in response to the Concealed Carry Act – arming urbanites with kites as a nonviolent tool for processing and perspective. These “conceal & carry” kites will be crafted with intent to begin distribution at the opening.  The materiality and procurement of the kites will explore the paradoxical nature of arming individuals with violent means to create a safer environment.”

More notes on the Collective’s “conceal and carry” kites, as well as their thoughts on the recent legislation can be found on their Tumblr.

Why Kites?

The Kite Collective’s Maureen Walrath recently gave a talk addressing the question “why kites?” while also leading a kite making demonstration.  This talk covered ideas that included:

  • Symbolism behind the kites.
  • The motivations of the Collective.
  • The use of kites as more than a recreational tool.

Included below is a scanned image of Maureen’s notes that go over these ideas in greater detail.

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Maureen’s notes.  Photo courtesy of Maureen Walrath.

Other initiatives

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Pueblo Semilla.  Poster courtesy of Victoria Thurmond.

  • Work is being done on developing apprenticeships and collaborative learning programs, as well as doing performative exercises at music events with kids.

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The Kite Collective at Co-Prosperity Sphere.  Photo courtesy of Lily Schmall.

  • The Collective is now officially collaborating with Sunhouse Craft.
  • Recently, the Kite Collective signed a lease on a space at the Kimball Arts Center in Chicago to July 2014.

For those interested in keeping up with the latest news and activities of The Kite Collective, be sure to look at their website, like them on Facebook, and follow them on Tumblr and Twitter (@kitecollective).