Presenting visual and performance art in unexpected public spaces.

AiOP 2014: FREE: Applicants Walk With the Festival Curators Across 14th Street

By Matthew Morowitz

With the deadline for the Art in Odd Places (AiOP) 2014 festival: FREE just around the corner (April 5th), curators Juliana Driever and Dylan Gauthier wanted to do more to help people who were thinking of applying understand how to relate their work to the site itself.  From 1-3 pm on Sunday March 23, 2014, the pair led a group of applicants on a walk along 14th street from the west to the east end, stopping at points along the way to discuss the use of space, restrictions, and even check out the remnants of projects from past festivals that were still standing.

The day itself was a little chilly but sunny and a little over 20 people showed up for the event, which began with a talk delivered by the curators in 14th Street Park near the Hudson River and ended with Juliana and Dylan outside of Otto’s Shrunken Head by Avenue B, answering any questions applicants came up with along the way.

Hearing from the curators after the event, Juliana found the event not only helpful for the applicants, but also a good icebreaker for AiOP:

“The experience of walking 14th Street as a way to introduce both the festival and site itself struck me as an incredibly engaging way to begin a project like Art in Odd Places. Being on 14th Street, completely immersed in the changing sensory experiences of it, helped to galvanize some insightful and productive conversations about site-responsiveness, temporary interactions with the environment, and the nature of working in public space. Open call processes can feel a bit cold, particularly if you don’t know or haven’t had access to the people making the decisions. Taking the time to speak informally over the course of an afternoon created an important social connection, which, in my view helped to bring about greater transparency for all involved at this early stage of planning.”

For Dylan, this event was a chance to renew and reinvigorate affections for 14th Street, instilling in him a greater sense of how the festival and the site relate to each other:

“I loved experiencing 14th Street again through the eyes of a small nomadic group of artists, looking for footholds and inroads in unfamiliar territory. Though I lived on the street in the early 2000s, I’d forgot in time how much mystery, magic, and even art is happening there. It’s such an amazing, evocative, and liminal site, between all of these more or less well-defined enclaves. All of those competing visions for the city playing out at once. I understand more now why it is the perfect site for this festival.”

Overall the curator’s walk had a positive and encouraging effect on the applicants, instilling within them a better understanding of the area and how to move forward with their project proposals.  Be sure to scroll down to check out more images from the walk and more views of 14th Street.

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14th Street. Photo courtesy of Natasha Ballack.

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14th Street. Photo courtesy of Natasha Ballack.

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Applicants on 14th Street. Photo courtesy of Natasha Ballack.

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14th Street. Photo courtesy of Natasha Ballack.

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Applicants on 14th Street. Photo courtesy of Natasha Ballack.

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Mosaic project from AiOP 2013 NUMBER still standing on 14th Street.  Photo courtesy of Natasha Ballack.

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14th Street. Photo courtesy of Natasha Ballack.

The deadline to apply is currently still open and more information about this year’s festival, as well as the application, can be found on the AiOP Website.

AiOP 2012 MODEL lookback: Let’s Take A Walk With Marie Christine Katz, Multi-Media Visual and Performance Creator

By Monica Hunasikatti

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           “Marie Christine Katz at AiOP 2012 MODEL” Photo by Ted Roeder.

“Art through interaction” is a relatively new concept to me.  Performance-based art is not something I was accustomed to seeing, except for the occasional dance or drama students that took to VCU’s campus and performed spontaneously.  A lot of contemporary works that I have come across, I must admit I usually just do not understand.  For a very long time, “art” to me, was defined as just a painting in a museum, or a sculpture in an archaic university.  Seeing just a glimpse of Katz’s work, I can see it is a world unlike anything I’ve really seen before; kind of like Lucy stumbling into Narnia in a way.

Katz uses everyday kind of items in a lot of her performance art and she aims to incorporate her body into her creations to showcase her personal messages.  I suggest checking out some of her videos on YouTube like Domesticity (2006/2007) and Eating My Heart Out (2005).  These videos are thought provoking, and maybe a little unsettling if performance art is not really your forte.  To be honest, I really do not know much about this kind of artistic expression, but I certainly felt something from watching Katz’s art, which I feel is at least one of the goals for any kind of performer/artist.  I feel like Katz challenges not only her viewers, but also herself as she tackles each project with vigor and passion.  Performance art may not be for everyone, but I would say it would not hurt to dive into the world of “public demonstration” art.  If anything, it will definitely broaden your views of what “art” is or can be or should be.

I had the opportunity to ask Katz some questions which she has graciously answered below.

What was it like working in the festival?

I participated in the 2012 Art in Odd Places Model and had a wonderful experience in terms of developing and presenting my 3 parts project:  “Knitting… I need you,” “Let’s take a walk,” and “Shlepping & Displaying.”  The public was responsive when I was able to catch their attentions.

Do you associate any colors with your work?  Do they match up with certain emotions or do they clash?

Not particularly.

Does NYC inspire or discourage you?

I am inspired by this wondrous city and it’s people.

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“Marie Christine Katz at AiOP 2012 MODEL” Photo by Susan Now.

Did participating in AiOP 2012: MODEL affect or change your practice?

My project developed further because of my participation to Model more specifically I added one element of the now 3 part elements of a performance Let’s take a walk… I need you, the added element is Shlepping/Displaying

Do you think you would apply to be in another AiOP festival in the future?

Yes I am planning on applying to future AiOP call to artists when the theme is somehow connected to my practice.

Be sure to check out more of Marie Christine Katz’s work at her website.