Presenting visual and performance art in unexpected public spaces.

Money can't buy you happiness, but you can find it on Jan Sokota's coins

I told you!
Our featured artist this week has a very special place in Art in Odd Places’ heart. She has been part of the festival for not just one, not two, but four consecutive year since its 2005 inception. If there is one person aspiring artists should listen to regarding becoming part of this year’s festival, that person is Jan Lynn Sokota. Jan is enough of a veteran to impart wisdom on how Art in Odd Places has grown through the years and impacted not only 14th street but the New York Art scene in general.

She chose to talk about her work during Art in Odd Places 2008: Pedestrian, where she used minted “happiness” coins displayed in “random” places along 14th Street. The concept of randomly placed coins is such a great topic to discuss since it definitely oozes this year’s theme of “CHANCE”. Perhaps this should spark creativity among artists still currently working on their proposals as the deadline of submission approaches (May 14).

Without further adieu, I give you Jan Sokota

Aiop: Tell us about you?
JS: I was born and raised in NY where I received my MA from NYU Gallatin School and BFA from SUNY Purchase. For twenty years I have worked full time in television while spending the other part of my life making art. Each informs the other and it is a very interesting mix of endeavors. I studied photography all my life but my current work, since 2005, is minting coins.

 

Aiop: How was your Art in Odd Places experience?
JS: I began showing work with Art in Odd Places since its inception in 2005. Thereafter, I was included in the 2006, 2007 and 2008 shows. Ed Woodham is a pleasure to work with as are the curators he chooses for each show. The curators concepts for the shows are always interesting, providing a platform for creative inspiration. Since 2005 I have watched Art in Odd Places grow significantly in many ways. Each year I look forward to this art event whether I am a participant or a viewer.

Aiop: Where did you place your coins along 14th street?
JS: For Pedestrian in 2008, Find Your Happiness 2008e coin was shown at the South West corner of Union Square in the park as well as on 14 Street between Broadway and University.

Aiop: Walk us through your thought process in creating your piece for Art in Odd Places.
JS: My work for each show depended on the concept created for each show. For instance in Pedestrian 2008, I considered how people interact with art on the street. I saw this as a meeting place between them. From there I had to figure out a way to integrate my coins within this space and determine what kind of exchange could take place. There were various incarnations of the final piece which when finalized included visual, auditory, interactive and hidden devices within the exchange between the viewer on the street and the art I produced. For this show I created the Find Your Happiness 2008e coin. The figure on the coin was based on international symbols that instruct people as seen in airports, bathrooms and parks. The text was a short poem of sorts announcing that perhaps a bit of happiness had come their way. The piece included three elements: finding a coin on the street which is fairly commonplace in a large city, secretly disbursing the coins to passersby who would then casually find a coin at a later time in their shopping bag or pocket and having people watch me place the coins in the environment for them to pick up or not. I wanted to use the idea of happiness as something you chance upon in an ordinary day, as in finding a lucky penny.

I receive responses from people all over the world who have found my coins. One email that was particularly interesting stated that finding the coin helped them to make a decision
to go to another country and do volunteer work to help another community. This made me very happy.

Aiop: Any words of wisdom for artists who are interested in becoming part of this year’s Art in Odd places festival?
JS: I think the most important ingredient in making art is to be true to your vision or idea and then be objective about what it is that you are making. Try to put yourself in the place of the viewer and see what different perspectives are contained in that alternate view. I think perspective is a very important element when making public art as the general audience who happens upon it is a vastly diverse population of people.

Aiop: What projects are you currently working on?
JS: Currently, I am working on N-DENT (Nix-Dubious Exchange of our National Trade) 2009d which is a series of 50 Statehood Quarters plus D.C. and U.S. Territories totaling 56 quarters that I have engraved with graffiti commemorating a slightly different perspective of each state. I love working on this new piece and the first 6 can be seen at Fuse-Works:

 

 

 

 

 

 

Aiop: I am sure a lot of people would love to contact you. Where can you be reached?
JS: I can be reached at the contact page on my website: http://www.coinartist.com/

Aiop: Any final words?
JS: Art in Odd Places is great! I love the show and hope it continues as an annual art event in New York City for many years to come.

Thank you, Jan! Your responses definitely brought everyone happiness. We hope to see you on this year’s festival.

Just a reminder: The deadline to submit artists’ proposal is on May 14. Here at Art In Odd Places, we hope that featuring artists who were previously part of the festival on our blog help inspire and motivate people as they go through the application process. Good luck everyone!

As always, the application can be found in the Art In Odd Places website.

Visit the blog for more artists!

Sound(less) bites from Jonny Farrow, AiOP 2009

Fresh off his recent show in the Video Composition Workshop (VCW) at the Diapason Gallery, Jonny Farrow was very excited to be featured this week on our blog. He was part of Art In Odd Places in 2009. His work , a “soundwalking” tour of 14th street, gave its participants a different side of 14th street not usually heard. Creative performances, such as his work, are just one of the ways how Art in odd Places explore the spectacle of daily life in 14th street.

One would think he’d give us an audio response to our questions. Yet, he decided to stick with written responses for the interview. You can still lend your ears though as you click the links to hear his previous work.

So, lend us your ears and eyes as Art in Odd Places presents Jonny Farrow.

Aiop: Tell us about you Jonny Farrow
JF: I am a sound artist/composer/performer, and I also work with video and composition for video performance. I make/use field recordings in my practice, so soundwalking is central to what I do—I am always listening for places where soundscapes overlap and for other sonic/acousmatic phenomenon.

Aiop: How was your Art in Odd Places experience?
JF:
It was fantastic. My New York Society for Acoustic Ecology (NYSAE) colleagues and I led a series of soundwalks over several weekends for AiOP in the fall of 2009. Most of my walks centered around Union Square Park, so it was nice to listen to the same place several times (at different times) and notice its particular sounds while almost always discovering some new sonic texture.

Aiop: Walk us (or should I say “Sound walk us”?) through your thought process in creating your piece for Art in Odd Places.
JF: The creation of these walks was really a collaboration between me and my colleagues Jamie Davis, Edmund Mooney and Todd Shaolm. Everyone has their own style of leading a walk—variety is important in this endeavor, especially for the participants—and we wanted to cover as much of 14th street (and in as many ways) as we could. As for my soundwalking work, it is both performative and pedagogical. It’s performative in the sense that I am using my ears as the final arbiter of where the walk goes even if I have to deviate from a pre-planned route. The walks are pedagogical in that I deliver a bit of the history of the practice of soundwalking and give people exercises/tools to help them develop their own listening practice.

Aiop: Where was performance along 14th street?
JF: Our/my walks were in Union Square and all along 14th street, above and below as well. There’s a list and descriptions of what we did on the NYSAE blog for those who love details.

Aiop: Any words of wisdom for artists who are interested in becoming part of this year’s Art in Odd places festival?
JF:I usually charge for dispensing wisdom 🙂 but since you asked, I would say use the resources of the festival. The organizers do a great job in supporting/promoting the artists and in offering advice about what is possible (and legal!), so it’s a great opportunity to learn through engaging them.

Aiop:What projects are you currently working on and where can people reach you?
JF:I just had a sound piece in a Hostess Project event at the PPOW gallery in Chelsea as a sonic response to their *Debris* show, and I perfomed a video composition on 4/28 at Diapason Gallery in Brooklyn. As for other new projects, I plan to expand my video work and continue exploring the soundscape through listening and composition. For more info and to contact me. my web-location is: http://www.jonnyfarrow.net/.

Aiop: Any final words?
JF:
This should probably be philosohical, eh? (awkward pause…)

We heard you loud and clear, Jonny. Thanks for the responses.

Anyone can get up-to-date information about our featured artists today by visiting his website http://www.jonnyfarrow.net/

To learn more about the New York Society for Acoustic Ecology, visit http://www.nyacousticecology.org/

The deadline for submission for this year’s Art In Odd Place is fast approaching (May 14). If you have a great idea in mind, why don’t you take a “CHANCE” and apply? Visit http://artinoddplaces.org// for details.