Presenting visual and performance art in unexpected public spaces.

Call for Content! Oct 11 – *Horizontal Art and Action*/*Arte y acción horizontales* Free University

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Image courtesy of Free University-NYC.
*Horizontal Art and Action* Free University
Saturday, October 11, 12-5pm

Campos Plaza
E 13th St between Avenues B and C
Lower East Side, Manhattan

(Versión en español más abajo) Free University – NYC welcomes workshops, teach-ins, dialogues, and performances by artists and community activists to learn and share power together (in Latin America, a process called horizontalidad). In the wake of losing 5 Pointz, Brecht Forum, Gathering of Tribes, Rebel Diaz Arts Collective, City College Morales/Shakur Center, 285 Kent, and soon Death by Audio, and also seeing public art become the front-lines of gentrification, we need art and actions that envision creative social change while practicing it.
Contribute an activity / volunteer here.
Potential themes: Art/mural skills-share. Tenants, workplace, & youth organizing. Radical art history 101. Street journalism. Visualizing solidarity (Ferguson, Gaza, climate justice..). Creative direct action training. Walking tours. Horizontal community justice. Spoken word & theater. DIY pamphlet design. Guerrilla media/copwatch. Peaceful parenting.FreeUniversityNYC.org
FreeUniversityNYC@gmail.com
Facebook.com/FreeUniversityNYCThis event is part of the Art in Odd Places Festival (ArtinOddPlaces.org).
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*Arte y acción horizontales* Free University
Sábado 11 de octubre, 
12-5pm
Campos Plaza
E 13th St entre las avenidas B y C
Lower East Side, Manhattan

Free University-NYC convoca a artistas y activistas de la comunidad para proponer talleres, diálogos o performances que nos ayuden a aprender y compartir modos de empoderarnos juntos–un proceso que en América Latina se llama horizontalidad. Tras la pérdida de muchos espacios, como 5 Pointz, Brech Forum, Gathering of Tribes, Rebel Díaz Arts Collective, City College Morales/Shakur Center, 285 Kent–pronto Death by Audio– y ver que el arte público se ha convertido en un frente de batalla en el proceso de gentrificación (aburguesamiento), creemos que necesitamos juntarnos para compartir un arte y acciones que imaginan el cambio social desde la práctica.

Si quieres contribuir con un taller, una performance -o ser voluntario, rellena este formulario.
RSVP y reenviar en Facebook.

Temas posibles: Herramientas para hacer arte o murales.
Organización de vecinos, laboral, o grupos juveniles. Historia básica de arte radical. Periodismo callejero. Visualización de solidaridad (Ferguson, Gaza, justicia climática). Entrenamiento de acción directa creativa. Tours. Justicia comunitaria horizontal. Palabra y teatro. Diseño de panfletos. Guerrilla media – Copwatch. Enseñanza pacífica.

FreeUniversityNYC.org
FreeUniversityNYC@gmail.com
Facebook.com/FreeUniversityNYC

Este evento será parte del festival “ART IN ODD PLACES” / “ARTE EN LUGARES EXTRAÑOS” (www.ArtinOddPlaces.org).

 

AiOP 2014: FREE Sneak Peek! Felipe Cidade “Taste of Freedom”

Name:

Felipe Cidade

 Title of Project/Work:

Taste of Freedom

Taste of Freedom - Felipe Cidade

Taste of Freedom.  Image courtesy of Felipe Cidade.

What does “FREE” mean to you?

It is very difficult to talk about what “FREE” mean, or what is “FREEDOM” because has many variables. It is not a concrete answer, but it is an answer with some observations and with new questions about it.

Two of those multiple variables I think it better approach what I think about what “FREE” means to me. First a very popular concept of what “FREE” means: “my freedom ends when I reach the other one freedom”. The problem with that theory, it is when you create conscience about anything – in this case the other one – you are no longer being free, you are imposing to yourself new personal questions about, ethics, respects, morals and enter in a psychological state of “do, or do not”, that 50/50% limits the liberty of doing whatever you want independently of will result. In other words, the notion of conscience are what make us less free up to everything around us.

The second variable of what may change what mean “FREE”. Are the notion that everything I do, someone know about it – specially sending this to the land of NSA – having the conscience of everything I have may be hacked, my cellphone can be used as microphone, they even can track everyone using the GPS system in our cellphones. So, using that logic, without privacy of doing something without anyone know about it, lead me to question it – If someone will know about whatever I will do, can I do everything? The fact of losing individual privacy could not be a way of generating a new kind of freedom, multiple, open and without secrets in response to the imposition the individual privacy, the personal individuality concept of “FREE” or “FREEDOM” can metamorphose to a multiple-personal concept of “FREE” or “FREEDOM”?

I believe “FREE” mean something around those variables, something closer to know and being OK to yourself and do not have your personal ideals manipulated by culture, religion, politics, or ethnicity.

Why is 14th Street a compelling site for creative response?

14th Street are a historic street, leaving aside the economic and social status of the street, and like to think more in the political and social activism historic in that street, for example, the Union Square, a place marked energy for political demonstrations, since 1861 this place has that energy. Believing art today has the only purpose to question topic about politics, anthropological concepts, social behavior, moral, and ethics. Working in a place with that energy and history is very important for a creativity response

What reactions are you hoping to draw from the public?

To be very honest, I don’t expect any kind of reaction. Some people may like the work, enjoy the food I will serve, or not. What I am hoping to draw from the people, it is what they will think and react to the ideas what my work and me are proposing to them. If they start to think about what may be “FREE” or “FREEDOM”, I already will be very happy.